conceptual costume design

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set in 1980s New York and early1990s northern England. I transported Shakespeare's tale of jealousy, relationships, art and time to a modern setting to highlight the universality of the themes explored in the play. The 80s setting deliberately reminds one of the "greed is good"  mantra of Wall Street, something that would speak to modern audiences due to its echoes with today's financial situation. 

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Drawings started on paper and finished in photoshop.